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performing writing and thoughts
SD_SCIENZE DIAGONALI is a critical and theoretical moment of reflection on the contemporary performative scene,  that has been thought since the 18th edition of Crisalide performing arts festival.

Thanks to the creation of a temporary editorial staff, all the different points of view concerning the events of the Festival will be disguised as written reactions, common reflections, galleries of images, interviews to the protagonists and key words. This web-platform is the place in which all those different textual forms will be gathered and compared. The objective is to practice critical ways of understanding the contemporary show, the writing, the creation of an imagery and to carry out pragmatically the relationship with thought, drawing attention on the art’s reflection rather than a reflection about art, which is to say on how artistic forms can think their own doing through their own ways and means.
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In collaborazione con

Centro di Studi Teatrali - SITLeC Scuola Superiore per Interpreti  Traduttori SITLeC
Centro di Studi Teatrali
Scuola Superiore per Interpreti  Traduttori
Università di Bologna - Sede di Forlì

ART IN RESIDENCE

Produrre in stato di grazia. Parola di Silvia Costa...

> a cura di Adele Cacciagrano. La XVIII edizione di Crisalide, il festival curato e organizzato da Masque Teatro a Forlì, ha ospitato nel complesso  di Via Orto del Fuoco sede stabile della compagnia, una residenza come forma di sostegno operativo alla creazione. Abbiamo chiesto a Silvia Costa, ideatrice e fondatrice della formazione Plumes dans la tête, che ha potuto beneficiare di un periodo di lavoro per mettere in forma la seconda tappa del progetto Formazione Pagana. leggi tutto

SCIENZE DIAGONALI
performing writing and thoughts

curated by Piersandra Di Matteo

SD_SCIENZE DIAGONALI is a critical and theoretical moment of reflection on the contemporary performative scene,  that has been thought since the 18th edition of Crisalide performing arts festival.

Thanks to the creation of a temporary editorial staff, all the different points of view concerning the events of the Festival will be disguised as written reactions, common reflections, galleries of images, interviews to the protagonists and key words. This web-platform is the place in which all those different textual forms will be gathered and compared. The objective is to practice critical ways of understanding the contemporary show, the writing, the creation of an imagery and to carry out pragmatically the relationship with thought, drawing attention on the art’s reflection rather than a reflection about art, which is to say on how artistic forms can think their own doing through their own ways and means.

The editorial staff, which boasts specialized contributions of international scholars, is made up of Sara Baranzoni, Matteo Antonaci, Sara Lucchetta, Luca Mannucci, Mauro Mazzocchi, Jessica Parisi, Chiara Pirri, Giulia Tonucci, a group of students from SITLeC Department/Scuola Superiore di Lingue Moderne per Interpreti  e Traduttori, from DAMS/studies department of sciences and arts technologies, music, performance of Studi di Roma Tre University and from the Department of Philosphy of Studi di Firenze and Milano University.

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PANTAGRUEL.

Antonio Audino intervista il direttore artistico Lorenzo Bazzocchi e l’artista Snejanka Mihaylova
Redazione e regia: Valerio Giannetti e Massimiliano Bonomo
[puntata sabato 3 settembre 2011]

Day by Day

Sunday 3 september

…………………………………………
visual and sonic installation
  Nicolas Field
 Shimmering Beast

 
h 18-20

Oratorio San Sebastiano
Piazza Guido da Montefeltro- Forlì
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Shimmering Beast officially opens the 18th edition of Crisalide, festival of the performing arts and philosophy. The installation for autonomous percussions is created by Nicolas Field, Anglo-Swiss artist and musician who works on the dispersion of sound through research on materials such as dry-ice or slate. Shimmering Beast is a golden, luminescent and reflective wall, made of low-frequency transducers and lights, stands and cymbals, placed in a way that they touch one another slightly, in order to create a system of interdependencies. In this way, when one of the cymbals moves, it forces all the others to follow the motion resonance. Under the podium, 4 vibrators amplify the low frequencies generated by a computer and consequently produce vibrations of the floor on which the stands are placed. This motion accentuates the noise of the cymbals, which sound as if mini-earthquakes were triggered, and an effect of lighting refraction.
more info. 


……………………………………………………………………………
THEATRE OF THOUGHTSnejanka Mihaylova/Florinda Cambria
THEATRE OF THOUGHT
h 17_ dialogo filosofico_ Ramo Rosso
……………………………………………………………………………
MKMk
4 danze coloniali viste da vicino
h 19_ danza_ Ramo Rosso
……………………………………………………………………………
LOVEEEECristina Rizzo/Lucia Amara
LOVEEEE
h 21_ conferenza con esercizi di grazia
Ex filanda

……………………………………………
BAROKTHEGREAT / Fidippide © AndreaMacchia/InterplayBarokthegreat
Fidippide
h 22.30_ performance_ Ex filanda

 

Saturday 3 september

……………………………………………
Cie Greffe/Cindy Van Acker
Lanx
 
h 21_ danza_ Ex filanda

……………………………………………
Manola AntonioliManola Antonioli
Paradigma culturale e paradigma estetico
h 22_ esposizione filosofica_ Ex filanda

……………………………………………
Ubualdo FadiniUbaldo Fadini
‘Neuro-habitat’: osservazioni sulla società della comunicazione
h 22.50_ esposizione filosofica_ Ex filanda

……………………………………………

Massimo Simonini (Photo Samuel Burt)Massimo Simonini
GRU_ theremin preparato
h 23.45_ concerto_ Ex filanda


Friday 2 september

……………………………………………
Insorta distesa -photo di Giulia FedelPlumes dans la tête
Insorta distesa
h 21_ teatro_ Ex filanda

……………………………………………
CaligariRaimondo Guarino
Difendere il teatro dalla società.
Conflitto, neutralizzazione, eroismo.
h 22_ esposizione filosofica_ Ex filanda

Thursday 1 september

……………………………………………
Habillé d’Eau
L’igiene
h 21_ Ex filanda

……………………………………………
Stato di graziaPlumes dans la tête
Stato di Grazia
h 22_ Ex filanda

……………………………………………
Crisalide XVIII
Why Italy?
h 23_ Ex filanda